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Conceptualising and enacting the critical imagination through a critical writing pedagogy

Abstract

Abstract Purpose – Imagination in critical literacy research is usually referred to as a taken for granted concept that is seldom theorised, leaving the assumptions unchecked that everyone has a shared understanding of imagination. This paper aims to challenge critical literacy researchers to rethink the relationship between criticality and imagination and its implication for a critical writing pedagogy. It aims to synthesise the imagination and criticality in the context of critical literacy, both theoretically and empirically and in doing so to illustrate what form a critical writing pedagogy that foregrounds the critical imagination might take. Design/methodology/approach – This argument is illustrated through analysing two sets of data that contain embodied enactments of contested gender issues across different modes and genres. Data from student teachers’ embodied enactments of contested gender issues and from their writing on these issues were analysed thematically. Findings – A crucial aspect of the critical imagination entails creating pedagogical spaces that mobilise affect and empathy alongside criticality. Embodied literacy work across different modes and genres can play a significant role in facilitating the critical imagination by enabling students to enact, perform and immerse themselves in different discourses, ultimately generating new insights and ways of seeing. Research limitations/implications – Data was drawn from a relatively small sample of 30 assignments in the context of teacher education in South Africa. More empirical research needs to be conducted across a wider range of contexts. Practical implications – The paper provides a theoretical framework and practical ideas for implementing a critical writing pedagogy that foregrounds the critical imagination and thus could be used in both teacher education contexts and school literacy classrooms. Originality/value – This paper challenges critical literacy researchers to rethink the relationship between criticality and imagination and its implication for a critical writing pedagogy. Keywords Embodiment, Performance, Critical literacy, Critical imagination, Critical writing pedagogy, Recontextualizing

Reference

  • Mendelowitz, B. (2017). Conceptualising and enacting the critical imagination through a critical writing pedagogy. English Teaching: Practice & Critique, 16(2), 178–193. https://doi.org/10.1108/ETPC-08-2016-0102

Journal

English Teaching: Practice and Critique

Analysis

Is this article part of a larger project or series of studies?

no

Does this study draw on a large, preexisting data set?

no

Research Approach

  • Qualitiative

Geographic Setting

  • South Africa

Institutional Context

  • University based

Certification Level

  • 7-12

Programatic Focus

  • English

Research Location Context

  • sociolinguistics course

Preservice Participants

  • undergraduate preservice teachers

Preservice Sample Size

30

Duration of Data Collection

  • 8 weeks

Data Sources

  • course materials

Data Analysis Tools

  • coding (non-specific)

Researcher Positionality

  • inside (staying their own students)

Research Questions

Categories

2PTL Category: Preservice teachers own literacy (experiences and practices).

3CCE Category: Course experiences – the work that is done in a course to promote the content.

7CRL Topic: Critical literacy

7WTG Topic: Writing

7SIU Topic: Sociocultural Influences and Understandings

7ACT Topic: Activism

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The Literacy Research Association provided pilot funding for portions of this project.

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